One Stop Photography & Video | Experienced, Reliable, Trusted, Serving Nationwide | Click for Directions

Tips For Better Outdoor Portrait Photography

I shoot portraits and head shots in a number of different settings. Sometimes, outdoor portraits bring out a side of people’s personalities that you don’t get to see in a studio. Lighting can be tricky when you’re shooting outdoors, especially depending on the time of day and the weather. Here are a few tips that can help you get better quality images if you are shooting outside.

Use Wide Aperture Settings

The f-stop or aperture controls how wide the shutter opens when you capture the image. The smaller the f-stop, the wider the opening. I have found that wide aperture settings

Marcie Triviette

Shot In The Shade At F/5.6 With Fill Flash

generally work better in most outdoor scenes because they allow more of the natural light to enter the picture. If an image is too bright, you can compensate for that by using a faster shutter speed.

Use the Subject’s Eyes as a Focal Point

Digital cameras allow you to select focal points when shooting. You see little boxes appear in multiple areas of the photo. For example, if you’re shooting a group of people, the camera will try to autofocus based on where the faces are. When you’re shooting just one person in an outdoor setting, the person’s eyes make the best focal point for the image. The camera may auto-select other focal points, but you don’t always want to accept the default.

Avoid Direct Sunlight

This is one place where you’ll want to experiment and do some test shots. Shooting with the sun behind you can work if the sun isn’t too bright—such as taking a sunset portrait. But if you’re capturing images at high noon on a clear day, you may want to consider taking images in the shade, or at least in partially shaded area. You want to capture some sunlight on the subject’s face, but too much will oversaturate the image and drown out their features.

Outdoor portraits allow you to take advantage of a number of neat lighting effects that you can’t create in a studio. At the same time, it can be trickier until you get the hang of it. As with anything else, it’s a trial and error process.

The following two tabs change content below.

David Williams

About The Author: David Williams is a professional still photographer and videographer focusing on corporate and commercial work. His love for still photography began in 1982 while still in High School. David started making money at photography in 1982. David and his wife Brenda started working together in photography in 1988 when they met and were married in 1989. Brenda is the photo editor for the business. David and Brenda have two daughters in their 20's. Please be sure to get a quote for services if needed: our goal is to respond as promptly as possible. You may also call David direct at 919.628.2902. You may share this content using the larger social icons above this bio section. You may find David on various social platforms by clicking the smaller icons to the left of this paragraph under David's headshot. Please visit our home page as well.